Agatha Gothe-Snape, The Outcome is So Uncertain in Vienna, 8 tshirts with text worn by people I haven’t met yet invited by Kathryn Gray to participate via the script: “I AM KATHY. I AM READING AGATHA’S INSTRUCTIONS ALOUD. I AM UNSURE OF HOW THINGS WILL TRANSLATE. I UNDERSTAND I HAVE NEVER REALLY LEFT AUSTRALIA. I AM A PROVINCIAL ARTIST. PERHAPS MY PRACTICE IS RUNNING 6 MONTHS OR 6 YEARS BEHIND THE EIGHT BALL. I JUST DON’T KNOW AS I’VE NEVER BEEN HERE. FROM WHAT I CAN TELL, THE SENSE OF ENGAGEMENT AND ENQUIRY IS MORE RIGOROUS HERE. THERE IS A SERIOUSNESS IN THE AIR. I DON’T KNOW HOW THIS WILL RUB OFF ON THE TSHIRTS. I DONT HOW HOW THIS WILL RUB OFF ON THIS PROJECT. ON ALL OF YOU. NONETHELESS, I INVITE YOU TO WEAR THESE SHIRTS TO THE OPENING OF RULES OF PLAY.
(YOU CAN OF COURSE KEEP THEM AFTERWARDS) YOU CAN CHOOSE THE SHIRT TO KEEP BY WHATEVER LOGIC SEEMS APPROPRIATE. THERE ARE FOUR SENTENCES DISTRIBUTED THROUGHOUT THE 8 TSHIRTS. EACH HAS BEEN USEFUL TO ME IN THE LAST YEAR AS I MAKE WORK AND ALSO AS I NAVIGATE MY EMOTIONAL RELATIONSHIPS. I CAN HARDLY IMAGINE YOU ALL CONVERGING AT THE GALLERY BETWEEN 7.45 AND 7.50 BETWEEN YOUR OTHER DATES AND RESPONSIBILITIES AND SOCIAL ENQUIRIES.
BUT I HOPE THAT IS WHAT HAPPENS. FROM HERE IT IS OF COURSE HARD TO CONTROL. IF ANYONE ASKS YOU ABOUT THE SHIRTS PLEASE REFER TO THE PALM CARD I WILL GIVE YOU. BUT REFER TO IT ONLY AS MUCH OR AS LITTLE AS YOU LIKE. THE BALLS IN YOUR COURT. THANK YOU SO MUCH FOR YOUR WILLING PARTICIPATION.”, 2010. As worn by Matthias & Mirela 18 August 2010.

Wrong Solo, No Thinking, digital documentation of Wrong Solo workshop, Campbelltown Arts Centre, 2010. Installation views.

Bernadette Anzengruber, For Edgar, 18th August 2010. Installation views.

Nina Stuhldreher, How I got colonialism, gimmick, 2010. Installation views.

Brian Fuata, Charlie to the sea, to the sea!, performance for 8.00pm/4.00am 18 August, with Michael Poetschko and some Bell Street opening visitors, 2010.

Installation view featuring Sarah Rodigari, I would put a cold cherry on your bruised knee, peg gun, cherry, text, 2010, and Teik-Kim Pok, Fair Game, 2010.

Sarah Rodigari, I would put a cold cherry on your bruised knee, peg gun, cherry, text, 2010.

External lightbox installation view featuring Sarah Rodigari, I would put a cold cherry on your bruised knee, peg gun, cherry, text, 2010, and Michaela Gleave 7-Stunden-Ballonarbeit / 7 Hour Balloom Work, materials from live web feed performance Berlin-Sydney 10/7/2010.

Michaela Gleave, 7-Stunden-Ballonarbeit / 7 Hour Balloom Work, video of live web feed Berlin-Sydney 10/7/2010, and Untitled Tape Work (Yellow), tape.

Michael Poetschko, Kontaktzone / Contact zone, photography, mapping and audio, 2010.

Michael Poetschko, Kontaktzone / Contact zone, photography, mapping and audio, 2010. Installation details.

Teik-Kim Pok, Fair Game, 2010

Kathryn Gray, So good for so long, HD video sketch and lino floor 2010, with thanks to Johnathan James, Teik-Kim Pok, Amanda Williams, Richard Goodwin, John James and Michael Snape. Installation views.

Agatha Gothe-Snape, The Outcome is So Uncertain in Vienna, 2010, as worn by Katka, Fabienne and Fabian.

Outside Bell Street Project Space, featuring Michaela Gleave, 7-Stunden-Ballonarbeit / 7 Hour Balloom Work, remainders from live web performance Berlin-Sydney 10/7/2010, and Agatha Gothe-Snape, The Outcome is So Uncertain in Vienna, 2010, as worn by Beatrix and Verena.

Brian Fuata, Charlie to the sea, to the sea!, text revealed since 8.00pm/4.00am performance, 18 August 2010.

Michaela Gleave in process for Untitled Tape Work (Yellow), tape.